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Amelia Black

Location

Virginia, USA

About

Amelia Black is a Melbourne-based ceramic artist working on Wurundjeri and Woi Wurrung Country. Her practice explores the relationships between architecture, ecology, and the material histories of place. With a focus on ceramic processes, Amelia investigates the provenance of materials—where they come from, how they are shaped, and what they reveal about the environments they inhabit.

Her work often takes the form of installations, sculptural ceramics, and printed matter, drawing connections between the built and natural world. Projects such as Material Provenance, Facts of Matter, and Amphibious Architecture reflect her deep engagement with the political and ecological implications of construction and design. By tracing the life of materials—from clay and brick to stone and earth—Amelia invites audiences to reconsider the assumed neutrality of the structures that surround us.

Through careful research and making, she transforms raw material into narrative. Each piece carries the memory of place, layered with questions about sustainability, cultural connection, and the silent stories of the ground beneath our feet.

Artist Statement

Bulk Buy, originally presented at Craft Contemporary, Melbourne (October 2023), is

a material research project that examines the potential for new ceramics supply

chains through an innovative exhibition and pop-up supply store model. Organized

by the Alternative Ceramics Supply (ACS) collective, the project addresses

transparency and sustainability in material sourcing, challenging exploitative

practices often embedded in traditional supply chains.

The initiative highlights materials sourced from local waste streams—cement rubble,

oyster shells, glass dust, and granite/marble off-cuts—and demonstrates their use in

ceramics. Publicly shared research includes detailed information sheets covering

origins, Indigenous Country, processing methods, safety practices, and potential

applications. Test tiles display practical outcomes in clay bodies and glazes,

empowering ceramicists to make informed choices.

At Wedge 2025, members of ACS will host a Show and Tell with test tiles from the

original exhibition, alongside a concise slideshow detailing the project’s journey,

material results, and examples of artworks created using the tested materials. This

Show and Tell session will also share the findings with the broader ceramics

community, fostering dialogue on responsible material usage.

Through initiatives like Bulk Buy, ACS advocates for localized sourcing models,

responsible consumption, and greater transparency. By providing clear

documentation and encouraging material knowledge exchange, the project supports

a more ethical and sustainable future for ceramics.

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