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Jennifer Kaplan

Location

Swannanoa, North Carolina

About

Jennifer (Jenn) Kaplan is an Assistant Professor at Warren Wilson College and a Bailey Grant Recipient.

They teach figure sculpture workshops at Mighty Mud, were recently a Visiting Lecturer at the University

of Tennessee in Knoxville, and instructor at the Knoxville Museum of Art, have attended residencies at

Cub Creek Foundation and Armory Art Center where they taught Ceramic Chemistry, Wheel Throwing

and Altering, Soda-Firing and Figure Sculpture in partnership with the Norton Museum of Art. Jennifer

earned their MFA from The University of Notre Dame and BFA from the School of the Art Institute of

Chicago, in between they were Lead Instructor at Penguin Foot Pottery and taught Urban Gardening at

Marwen in Chicago. Jennifer has shown in the Snite Museum of Art, Red Lodge Clay Center, Companion

Gallery, Kansas City Clay Guild, Saratoga Arts Center, Queen City Clay, Relay Ridge Gallery,

Appalachian Center for Craft, the Black Mountain College Museum + Arts Center as well as others

primarily in the Midwest and Southeastern United States.

Artist Statement

Emotional Expressionism in Ceramics Studios: The Universal Implications of Bravery by Jennifer

Kaplan. This essay unpacks the value of showing up bravely in ceramics studios as an educator and

student, both porous to the disguised lessons of ceramic processes and how this kind of emotional

expressionism has outward implications for social change, environmental sustainability, and recording

history as an entangled personal and collective experience.

Through the convergent lessons of Robin Wall Kimmerer, Paulo Freire, Donna Haraway, Parker J.

Palmer, 10 years of teaching experience, and endless failures in clay, I will describe why coming from an

honest and flawed “I” perspective, active listening, and hope as work can offer us theoretical insights into

practical and transformative global action.

We will embrace the parallels of local materialism as a mode of agency and discuss the relational

experiences of atmospheric firing and meals together as a powerful model to build speculative futures.

After this discussion, I hope we can all enter our next educational spaces with vulnerability and porosity

to the unknown outcomes of play and collective action.

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